What's Black and White and Red all over?
"So what's the best way of telling you? Should publishers put a ratings system in place? It seems to work effectively for movies and electronic games. It's a fairly simple solution. If a book has obscenity, sexual content, drugs and drinking and violence, publishers could put an M for "mature content" on the cover.
This seemed at first like a good idea, but the more I thought about it, the more tangled it became. For example, with books it's tricky to separate the content from the quality. Can any ratings system express the subtle things that make a book valuable or potentially harmful? It's not so much the difference between M for "mature" and E as in "O.K. for everybody." The more salient distinction is between R for "rewarding" and G for "gratuitous." EE for "edgy and enlightening." SS for "sensational and stupid." It is easy to get carried away. What about scary books? S for "scared the pants off me and my kid." BD for "gave him bad dreams for a year." And sad ones? BH for "breaks your heart." AD for "at least one animal dies." One likes to be warned."
At one time, there was discussion in the Romance Writers Report, (the RWA industry mag), about implementation of a ratings system. The suggestion went nowhere, for exactly the same reasons that Ms. Brashares notes. The publishing industry likes to think there are more variables than just sex, language, violence, nudity, and drugs. (I don't think there is, but I don't want to see ratings on books, either). Eventually, Ms. Brashares hits on the revolutionary idea of segregating books by content:
"What if books for 13- to 19-year-olds were developed, marketed and sold by adult trade publishers as a category, like science fiction or romance novels? Maybe that would spur the growth of a new book market for under-served 13- to 19-year-olds, who may like to read about themselves but won't go near the children's section. "
What's fascinating to me is that we naturally choose to segregate on interest. It's a very practical solution; there are too many books for a reader to have to search among all the books for the ones that interest them. A grocery store has a frozen food aisle and all the soft drinks are one in place. But books? Would a gay romance go in romance or gay fiction? Is it discriminatory to have a "gay fiction" section? And multi-cultural? Does that get its own shelf, too? From a reader perspective, I see the reasoning, but I remember when de-segregation hit my elementary school, too.
I'm not trying to answer this one, because the question is: where is the line between what's "acceptable" and what's "wrong?"
In New York, they recently began bag searches on the subway and Paul Sperry, a Hoover institution media fellow, wrote a piece about the idiocy of not using racial profiling in the searches. Again, on the surface, searching the bags of Middle Eastern men seems reasonable. But, oops, that nasty "anti-discrimination" argument rears its United Colors of Benetton head. This was written a few days after British police shot and killed a Brazilian man they had assumed was a suicide bomber. Shoot first, it's the Israeli way. Again, if the man had been a suicide bomber, the police would have saved countless lives. But he wasn't.
In the days when Martin Luther King still had a dream, things were black and white. There was no perceived right or wrong. Segregation, every day, all the way. But that's not the world we live in, and there's no more black and white. Now there's gray stuff, like Tiger Woods and gay romance. Stuff that fits into a lot of different boxes. And the brain is wired to put things into boxes.
I have no smart answers, no funny answers, not even stupid answers. I'm not sure there are answers. But I think we should ask the questions.